SOUND CINEMA 1929-1933
TO A WORK
The aim of this project is to build a database that will provide comprehensive information about all feature sound films produced in the times of the Weimar Republic from 1929 to 1933.
Once the data is organized in the specific digital landscape designed for this database, it will be able to serve as a “digital notebook,” organized in such a way that it will provide a structured space to critically interpret, evaluate and analyze bibliographic sources dealing with the films and people linked up in the base, creating an interactive platform to productively take notes while making it easier to switch from data analyses at a micro-level to a macro-level in the matter of a few clicks.
ABOUT BEN SEYFERT
Currently a graduate student at the Department of Germanic Languages at UCLA, Andreas-Benjamin Seyfert received his B.A. in English and German Literatures from the University of Geneva. Working both within and outside the academic context, he has acquired experience in creative and academic writing, teaching and the arts more generally.
During his time at the University of Geneva, he contributed numerous articles, essays and short stories to NOTED (the English Department Journal) and la Revue du Cine-Club. He aditionally co-founded and directed the Kinoklub (the UNIGE German Film Club now known as k!no), as well as organized a conference and workshop on the topic of literary adaptations with writer Alois Brandstetter and screenwriter-director Georg Madeja. In 2015, Ben Seyfert was hired as a teaching and reseach assistant for the Chair of Medieval German Studies.
Apart from his studies and community activities, he was involved independent side-projects, work including collaborations with Academy-Award-winner Marcel Ophuls on both a documentary (Ain't Misbehavin, Cannes Festival 2013) and written memoirs published in France (Mémoires d’un fils à papa, Calmann-Lévy, 2014) and Germany (Meines Vaters Sohn, Propyläen Verlag, 2015). Ben was also invited to give a talk at the University of Basel in the context of the Goethe Gesellschaft conference in October 2015. His paper on the poet's representation in film was consequently published in the book Goethe als Literaturfigur (Wallstein Verlag, 2016).
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